By Peter Szendy, Charlotte Mandell
During this intimate meditation on listening, Peter Szendy examines what the function of the listener is, and has been, throughout the centuries. The function of the composer is obvious, as is the position of the musician, yet the place precisely does the listener stand on the subject of the song s/he listens to? what's the accountability of the listener? Does a listener have any rights, because the writer and composer have copyright? Szendy explains his love of musical association (since preparations let him to hear somebody hearing music), and wonders if it is attainable in alternative routes to show to others how we ourselves hearken to song. How will we percentage our real listening to with others?Along the best way, he examines the evolution of copyright legislation as utilized to musical works and takes us into the court to check various debates on what we're and are not allowed to hear, and to witness the wonderful line among musical borrowing and outright plagiarism. ultimately, he examines the hot phenomenon of DJs and electronic compilations, and wonders how expertise has affected our behavior of listening and has replaced listening from a passive workout to an lively one, wherein you possibly can bounce from song to trace or play simply chosen pieces.
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